![]() Use an f-stop around f/5 to get most of your snowflake in focus and the background blurred. Don’t use your finger or it will melt or you will break off it’s lovely little arms. Try bending the fabric or nudging it with a pen. Try to manipulate the snowflake so that it is sitting at an angle rather than flat. You will get more light on the snowflake and it will make a more interesting shot. If it’s too warm, the snowflakes will melt immediately and that is a losing battle. I tried picking a few up off the ground and they were all broken. If they’ve already been kicking around for a bit they won’t have the same shape. Photograph fresh snowflakes right after they fall. ![]() If you are bringing the clothing item from inside, put them out in the cold for a few minutes before shooting so your snowflakes don’t instantly melt. Use a piece of dark clothing to catch the snowflakes, so the flakes standout against your background. When you are on the road, you have to make do, so I got out my trusty 100mm f/2.8 macro lens and tried to get the best shot I could.Īfter freezing my little fingers off, I learnt a few things about photographing snowflakes. The video shows my set-up, but here are some additional tips: The piece of gear that would really help for ultra close macros of snowflakes. Since I am in Nova Scotia temporarily, I don’t have all my gear, which includes a set of Kenko extension tubes. Use one of Olympus’ creative Art Filters (available in current Olympus cameras as well as the O.I.Share App) to make a truly unique image or download the image to the computer for editing.We got a wicked Nor’easter here on the East Coast of Canada and since I ran out of British period dramas to watch on Netflix, I thought I would try to capture some macros of big, juicy snowflakes.Use the LCD screen to compose the image and then snap the shutter.Find a single snowflake that can be isolated as the subject.Don’t have the 60mm macro? Try using the M.Zuiko 12-50mm lens’ macro mode or even the MCON-P02 macro lens adapter. Set the lens to the 1:1 ratio (35mm equiv). For best results, use the M.Zuiko 60mm F2.8 Macro Lens.Need extra light? Add an external flash like the FL-600 R either on- or off-camera to create the desired effect. Nothing ruins a macro shot like inferior lighting or out-of-focus subject. Make sure your lighting is adequate and that you have a tripod.I like using darker material so the snowflakes stand out against it. Although I still prefer to use a window to capture snowflakes, you can also use a blanket or other piece of fabric that has been left in the cold to prevent too-fast melting.Feel free to edit them any way your heart desires. I added some additional color to my images to make the snowflakes pop, but that’s not necessary. After downloading the images to the computer, edit them to fit your style.In fact, I ended up with so many good images that picking the best was a challenge. The window is great for stabilizing your camera. The best part about using the window is you don’t suffer from camera shake. Snap the picture when you’ve found your flake and the camera has achieved autofocus.As with all macro work, it takes some time to get the hang of it. ![]() Getting the snowflake in the frame can be a challenge, but be patient. ![]() Double-pane windows create the ideal distance from the camera to the snowflake.
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